Necrochamber San Diego, California
NECROCHAMBER, born of blistered soil and hate for mankind within the foul wastelands of San Diego, California, the crags of which emerged in 1998. Heaving and thrusting forth to transform into a vessel in which an atmosphere of revulsion dwells. These vicious black metal rites of hatred and violence emanate with blasting chaotic drumming, evil guitar melodies, and horrific vocals. ... more
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The "Cult..." is UADA's sophomore album, and among all, the one I largely prefer. The Vocal performance, to start with, is truly outstanding, and while I really liked their debut album, this one is more varied, and overall is technically superior to anything else I've heard from UADA. Fast, aggressive, but with enchanting melodies to break in between, à la Dissection. Highly recommended!
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supported by 5 fans who also own “Return of the Ancient Ones”
Very late to the party, but for several years I've found melodic black metal all too similar and all albums sounding like Dissection, etc... HOWEVER, not only I am back into it but UADA is still a layer of complexity above the main baseline and this is an old album worth having, that's a basic milestone in UADA's discography and I felt it needed to be part of my BC collection.
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supported by 4 fans who also own “Return of the Ancient Ones”
Heaviest thing I’ve heard all year along with Altarage. Okay I’ve been listening to this record for the past two weeks and it just gets better and better. Dissonant grooves galore
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featured on Bandcamp Radio Jul 23, 2021
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More bleak, enveloping atmospheric black metal from the masters at the Vendetta label, “aevum” is both harrowing & strangely beautiful.
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The Belgian band explore heavy psych, tribal rhythms, free-jazz freakouts, meditative drone and the vast, shadowy spaces in between.
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Fires of the Dying World
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supported by 4 fans who also own “Return of the Ancient Ones”
This is one of my top albums of the year. It is perfect!
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